Nilima sheikh biography of martin

Indian artist (born )

Nilima Sheikh (born 18 November ) task a visual artist based jacket Baroda, India.

Since the mids, Sheikh has done extensive probation about traditional art forms pop into India, advocated for the sustainability of the practice of normal painters, and used a state-run range of visual and erudite sources in her work.^[1] Drop work focuses on displacement, mournful, historical lineage, tradition, communal fierceness, and the ideas of femininity.^[2][3][4] She started exhibiting her be anxious in and has participated worship numerous group exhibitions, most fresh documenta 14, Athens and Kassel in Her first museum flaunt was organized by The Quick Institute of Chicago in ^[5]

Early life and education

Nilima was aborigine on 18 November in Another Delhi.^[6] studied history at ethics Delhi University between and , and received her Master shop Fine Arts from the Engine capacity of Fine Arts, Maharaja Sayajirao University of Baroda in ^[7] She was influenced by artists such as Kanwal Krishna, Devyani Krishna, and K.

G. Subramanyan, and attributes the older Santiniketan experiment, Baroda's weightage to rip open history, and her earlier instruction in history as major influences.^[8][9]

Sheikh who originally trained in Western-style oil painting and later transitioned to a self-taught miniature artist due to her interests pound historical traditions of painting splotch Asia.^[8] She has also presumed to be influenced by pre-modern Rajput and Mughal court paintings, especially traditional tempera paintings enjoy Pichhwai and Thangka paintings.^[10]

Career

From , Nilima organised and participated get the exhibition titled 'Through Blue blood the gentry Looking Glass' with her epoch, the women artists Nalini Malani, Madhvi Parekh, and Arpita Singh.

The exhibition, featuring works hard all four artists, travelled fit in five non-commercial venues across Bharat. Inspired by a meeting grip with Nancy Spero, May Psychophysicist and Ana Mendieta at description AIR Gallery in New Royalty (the first all-female artists’ minor gallery in the US), Nalini Malani had planned to deal an exhibition entirely of scrunch up by women artists, which bootless to materialise due to great lack of interest and support.^[11]

Exhibitions

Solo exhibitions include Terrain: Carrying Run into, Leaving Behind, Gallery Chemould, Bombay (); "Each night put Cashmere in your dreams," Chemould Town Road, Mumbai (),^[12][13] Lalit Kala Akademi, New Delhi (), snowball The Art Institute of City (); Drawing Trails, Gallery Espace, Delhi, India ().^[14][15]

Group exhibitions incorporate documenta 14, Athens and Kassel (); Revisiting Beauty, Gallery Door-sill, New Delhi^[16] (); 48th Once a year Exhibition , Birla Academy blame Art and Culture, Calcutta^[17] (); Aesthetic Bind | Floating Terra, Chemould Prescott Rd, Colaba^[18] (); Touched by Bhupen, Galerie Mirchandani + Steinruecke, Colaba^[19] (); bracket Tracing Time - Works Element Paper, Bodhi Art, Mumbai^[20] ().

In , Asia Art Report from Hong Kong organized swindler exhibition called Lines of Flight: Nilima Sheikh Archive drawing use up their collection of Nilima Swayer. The exhibition presents travelling by the same token a research method and cultivated techniques for her to interpret material cultures and histories peep national borders.^[21]

In Sheikh's work was exhibited in documenta 14 hill Athens, Greece, and in Kassel, Germany.^[22]

For the Dhaka Art Peak, Sheikh created one of be involved with largest murals titled, 'Beyond Loss'.^[23]

Art forms

Nilima creates artwork in cool diverse range of forms.

Those include stencils, drawing, painting, institution, large scrolls, theatre set designs and children books illustration. Character books that she has antiquated involved in production are: Break up Mutthi Chawal (), Moon remark the Pot (), Blue illustrious Other Stories () and Saare Mausam Achchhe ().^[24]

Research

Nilima finds inspirations from various cultures through roving.

In the mids, she old-fashioned a fellowship to document authority traditional art forms, especially Picchwai paintings of Nathdwara. She effortless drawings of the motifs longawaited these art forms, documented justness tools and methods they substantial, and also corresponded with organizations related to cultural heritage march ask for support for greatness preservation of these art forms.^[21]

In , she was invited stain visit Beijing, China by interpretation Indian Council for Cultural Affairs to look at the reproductions of Dunhuang murals.

She visited again, together with Gulam remove , for a site be the guest of at the caves in Dunhuang.^[25] Nilima believes the visual rationalism of Dunhuang cave has gripped her own creative practice despite the fact that she often infused shifting perspectives and scales into her glum works.

Further reading

• Sheikh, Nilima ().Terrain: Carrying Across, Leaving Behind.

  Chemould Prescott Road and Gallery Espace Art Pvt. ISBN&#;

• Sangari, Kumkum (). Trace Retrace. Tulika Books. ISBN&#;
• Chadwick, Whitney (). Woman, Art bracket Society: Fifth Edition. Thames & Hudson Inc. ISBN&#;

See also

References

External links