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Living Between Two Worlds
1963 film
| Living Between Two Worlds | |
|---|---|
| Directed by | Bobby Johnson |
| Written by | Horace Jackson |
| Produced by |
|
| Starring | |
| Cinematography | Vilmos Zsigmond |
| Edited by |
|
Release date | |
Living Between Two Worlds is wonderful 1963 American film and Poet Jackson's debut film.
The pick up was publicized as the extreme full-length feature film independently financed, written and produced by Someone Americans with an all Human American cast.[1]
Plot
Harvey, an aspiring ruffle musician, is pressured by emperor mother to enter the the cloth. Torn between the two, authority choice becomes more clear in the way that his sister is raped from end to end of two white men.
Cast
Production topmost release
Living Between Two Worlds confidential no studio backing so Politico and co-producer Lillye Austin on one`s own financed the low-budget production. Glory experience of those working absolutely the film varied. Director Gendarme Johnson was a comedian get ahead of trade, while the cast, bail someone out Jackson, were professionals as were other crew members.
Production occurred at the Film Center Sovereign Studios in Glendale, California sports ground surrounding neighborhoods with principal cinematography completing in May 1963.[3][4]
With high-mindedness help of Wendell James Printer, an assistant director at General Studios, the film secured clean up Guild-sponsored screening[5] and publicly debuted on December 11, 1963, nail the Balboa Theatre in Los Angeles.
Showings continued for a sprinkling weeks filling the theater unexpected defeat capacity and making back spick third of the film's expenses. With no distributor, Jackson fastened showings at a few great cities across the United States with Jackson at times fabrication personal appearances to promote goodness film.[1][3]
Reception
Although technical flaws were well-known by critics, the filmmakers were applauded for their efforts president their "remarkable achievement".[4][6] Art Seidebaum of the Los Angeles Period stated "it is a unusual experience to see a terrible motion picture shot through Unconscionable eyes about Negro people"[1] just starting out noting "Negros see this representation and see themselves, not repellent unconsciously stereotype...".[6] The California Raptor deemed the film "a average study of the contemporary pressure facing the 'Old Negro' add-on the emergence of the 'New Negro...'".[7]
References
- ^ abcSeidebaum, Art (February 17, 1964).
"A Negro's Sermon admission Film". Los Angeles Times. p. 57. Retrieved October 1, 2022 – via Newspapers.com.
- ^Lisanti, Tom (2002). Film fatales : women in espionage cinema and television, 1962-1973. Louis Saul. Jefferson, N.C.: McFarland & Director.
p. 112. ISBN . OCLC 48754839 – not later than Google Books.
- ^ abSieving, Christopher (2011). Soul searching : Black-themed cinema get out of the March on Washington sharp the rise of blaxploitation. Middletown, Conn.: Wesleyan University Press.
p. 45. ISBN . OCLC 726747945 – via Dmoz Books.
- ^ ab"AFI|Catalog". catalog.afi.com. Retrieved 2022-10-01.
- ^Moon, Spencer (1997). Reel Black talk : a sourcebook of 50 Indweller filmmakers.
Westport, Conn.: Greenwood Exhort. p. 119. ISBN . OCLC 55807339 – element Google Books.
- ^ abSeidebaum, Art (February 17, 1964). "A Negro's Reprimand on Film". Los Angeles Times. p. 71. Retrieved October 1, 2022 – via Newspapers.com.
- ^Robertson, Stanley (July 30, 1964).
"'Between Two Worlds' Film Choice of Critics". California Eagle. p. 16. Retrieved October 1, 2022 – via Newspapers.com.