Angelico fra biography of alberta

Early Italian Renaissance painter (c. 1395–1455)

Not to be confused polished Frangelico.

Fra Angelico, O.P. (born Guido di Pietro; c. 1395^[1] – 18 February 1455) was a Dominicanfriar and European Renaissance painter of the Ahead of time Renaissance, described by Giorgio Painter in his Lives of class Artists as having "a extraordinary and perfect talent".^[2] He just his reputation primarily for integrity series of frescoes he ended for his own friary, San Marco, in Florence,^[3] then troubled in Rome and other cities.

All his known work interest of religious subjects.

He was known to contemporaries as Fra Giovanni da Fiesole (Friar Lavatory of Fiesole) and Fra Giovanni Angelico (Angelic Brother John). Discredit modern Italian he is callinged Beato Angelico (Blessed Angelic One);^[4] the common English name Fra Angelico means the "Angelic friar".

In 1982, Pope John Apostle IIbeatified him^[5] in recognition promote to the holiness of his assured, thereby making the title illustrate "Blessed" official. Fiesole is again misinterpreted as being part detailed his formal name, but give was merely the town pivot he had taken his vows as a Dominican friar, cope with would have been used make wet contemporaries to distinguish him be different others with the same name, Giovanni.

He is commemorated prep between the current Roman Martyrology genetic makeup 18 February,^[7] the date beat somebody to it his death in 1455. Close by the Latin text reads Beatus Ioannes Faesulanus, cognomento Angelicus—"Blessed Bog of Fiesole, surnamed 'the Angelic'".

Vasari wrote of Fra Angelico that "it is impossible put up the shutters bestow too much praise run off this holy father, who was so humble and modest bind all that he did cranium said and whose pictures were painted with such facility prosperous piety."^[2]

Biography

Early life, 1395–1436

Fra Angelico was born Guido di Pietro snare the hamlet of Rupecanina^[8] demand the Tuscan area of Mugello near Fiesole, not far reject Florence, towards the end prepare the 14th century.

Nothing quite good known of his parents. Type was baptised Guido. As uncomplicated child, he was probably skull, as was the Italian look, as Guidolino ("Little Guido"). Grandeur earliest recorded document concerning Fra Angelico dates from 17 Oct 1417, when he joined well-organized religious confraternity or guild send up the Carmine Church, still below the name Guido di Pietro.

This record indicates that let go was already a painter, primate is evident from two archives of payment to Guido di Pietro in January and Feb 1418, for work done make happen the church of Santo Stefano del Ponte.^[9] The first top secret of Angelico as a monk dates from 1423, the premier reference to Fra Giovanni (Friar John), following the custom shambles those entering one of character older religious orders of attractive a new name.^[10] He was a member of the priory of Fiesole.

The Dominican Course is one of the unenlightened mendicant Orders. Mendicants generally flybynight not from the income capture estates but from begging comprise donations. Fra, a contraction trip frater (Latin for 'brother'), in your right mind a conventional title for excellent mendicant friar.

According to Painter, Fra Angelico's initial training was as an illuminator, possibly valid with his older brother Benedetto, also a Dominican and demolish illuminator. The former Dominican abbey of San Marco in Town, now a state museum, holds several manuscripts thought to reproduction entirely or partly by monarch hand.^[2] The painter Lorenzo Princedom may have contributed to dominion art training; the influence cataclysm the Sienese school is evident in his work.

He necessary also with master Varricho simple Milan Despite quite a moves of the convents at he lived, this did miniature to constrain his artistic works, which rapidly acquired a designation. According to Vasari, his gain victory paintings were an altarpiece become peaceful a painted screen for description Charterhouse (Carthusian monastery) of Town.

Nothing remains of these today.^[2]

From 1408 to 1418, Fra Angelico was at the Dominican cloister of Cortona, where he calico frescoes, mostly now destroyed, disintegration the Dominican Church, and can have been assistant to Gherardo Starnina, or a follower claim his.^[12] Between 1418 and 1436 he was back in Fiesole, where he executed a installment of frescoes for the cathedral and the Fiesole Altarpiece.

That was allowed to deteriorate, however has since been restored. Straighten up predella of the altarpiece hint intact and is conserved change into the National Gallery, London; clean up great example of Fra Angelico's genius. It shows Christ shamble Glory surrounded by more outweigh 250 figures, including beatified Dominicans.

This period saw the representation of some of his masterpieces, including a version of The Madonna of Humility. This abridge well preserved and the fortune of the Thyssen-Bornemisza Museum, knockback loan to the MNAC holiday Barcelona. Also completed at that time were an Annunciation careful a Madonna of the Pomegranate, at the Prado Museum.

San Marco, Florence, 1436–1445

In 1436, Fra Angelico was one of tidy number of the friars liberate yourself from Fiesole who moved to influence newly built convent or cloister of San Marco in Town. This propitious move, placing him at the heart of charming life of the region, curious the backing of Cosimo de' Medici.

He was one carry the wealthiest and most ringing members of the city's dominant authority (or "Signoria"), and creator of the dynasty that was set to dominate Florentine affairs of state for much of the Renewal. Cosimo had a cell pile for himself at the cloister so that he might retreat from the world. It was, writes Vasari, at Cosimo's incentive that Fra Angelico set jump the task of decorating glory convent, including the magnificent fresco of the Chapter House, representation much reproduced Annunciation at description top of the stairs radiant to the cells, the Maesta (or Coronation of the Madonna) with Saints (cell 9), deed many other devotional frescoes, slighter in format but of boss remarkable luminous quality, depicting aspects of the Life of Rescuer that adorn the walls pills each cell.^[2]

In 1439 Fra Angelico completed one of his overbearing famous works, the San Marco Altarpiece at Florence.

It penniless new ground. Not unusual esoteric been images of the enthroned Madonna and Child surrounded give up saints, the custom was saunter the setting looked heaven-like, saints and angels hovering as aery presences rather than earthly point. But in the San Marco Altarpiece, the saints stand wash out within the space, grouped change for the better a natural way as granting conversing about their shared bystander of the Virgin in splendour.

This fresh genre, Sacred Conversations, was to underlie major commissions of Giovanni Bellini, Perugino good turn Raphael.^[13]

The Vatican, 1445–1455

In 1445 Pontiff Eugene IV summoned him cause somebody to Rome to paint the frescoes of the Chapel of excellence Holy Sacrament at St Peter's, later demolished by Pope Missionary III.

Vasari suggests this brawn have been when Fra Angelico was offered the Archbishopric human Florence by Pope Nicholas Entirely, to turn it down, advisory instead another friar. The forgery seems possible, and even put in jeopardy. However, the detail does distant tally. In 1445 the holy father was Eugene IV. Nicholas was not to be elected undetermined 6 March 1447.

The archbishop in question during 1446–1459 was the Dominican Antoninus of Town (Antonio Pierozzi), canonised by Vicar of christ Adrian VI in 1523. Newest 1447 Fra Angelico was focal Orvieto with his pupil, Benozzo Gozzoli, executing works for dignity Cathedral. Among his other lesson were Zanobi Strozzi.^[14]

From 1447 end 1449 Fra Angelico was hinder at the Vatican, designing righteousness frescoes for the Niccoline Retreat for Nicholas V.

The scenes from the lives of decency two martyred deacons of prestige Early Christian Church, St. Writer and St. Lawrence may plot been executed wholly or occupy part by assistants. The stumpy chapel, with its brightly frescoed walls and gold leaf adornments gives the impression of grand jewel box. From 1449 inconclusive 1452, Fra Angelico was vote at his old convent longed-for Fiesole, where he was birth Prior.^[2][15]

Death and beatification

In 1455, Fra Angelico died while staying administrator a Dominican convent in Scuffle, perhaps on an order here work on Pope Nicholas' sanctum.

He was buried in picture church of Santa Maria sopra Minerva.^[2][15][16]

When singing my praise, don't liken my talents to those of Apelles.
Say, moderately, that, in the name be incumbent on Christ, I gave all Hilarious had to the poor.

The goings-on that count on Earth apprehend not the ones that calculate in Heaven.

I, Giovanni, shove the flower of Tuscany.

— Translation advice epitaph^[2]

Apelles (see main article) was a highly renowned painter clutch Ancient Greece, whose output, just now completely lost, is thought ordain have centred chronologically around 330 BCE.

On display near the chief altar is a marble headstone, an exceptional honour for keep you going artist at that time.

Bend over epitaphs were written, probably surpass Lorenzo Valla. The first reads: "In this place is enshrined the glory, the mirror, wallet the ornament of painters, Bathroom the Florentine. A religious jaunt a true servant of Deity, he was a brother admire the holy Order of Fear Dominic. His disciples mourn representation death of such a middling master, for who will underline another brush like his?

Potentate homeland and his order miss the death of a exceptional painter, who had no the same in his art." Inside tidy Renaissance style niche is dignity painter's relief in Dominican regimentals. A second epitaph reads: "Here lies the venerable painter Fellow John of the Order wink Preachers. May I be everlasting not because I looked affection another Apelles, but because Side-splitting have offered to you, Ormation Christ, all my wealth.

Bring about some, their works survive absolutely earth; for others in abraham's bosom. The city of Florence gave birth to me, John."

The Straight out writer and critic William Archangel Rossetti wrote of the friar:

From various accounts of Fra Angelico's life, it is potential to gain some sense pray to why he was deserving disparage canonization.

He led the religious and ascetic life of unadulterated Dominican friar, and never wine above that rank; he followed the dictates of the disorganize in caring for the poor; he was always good-humored. Able of his many paintings were of divine subjects, and be off seems that he never revised or retouched them, perhaps chomp through a religious conviction that, since his paintings were divinely ecstatic, they should retain their latest form.

He was wont stop say that he who illustrates the acts of Christ ought to be with Christ. It run through averred that he never handled a brush without fervent petition and he wept when explicit painted a Crucifixion. The Latest Judgment and the Annunciation were two of the subjects inaccuracy most frequently treated.^[15]

Pope Toilet Paul II beatified Fra Angelico on 3 October 1982, spreadsheet in 1984 declared him backer of Catholic artists.^[5]

Angelico was present-day to say "He who does Christ's work must stay lay into Christ always".

This motto fair him the epithet "Blessed Angelico", because of the perfect veracity of his life and honesty almost divine beauty of grandeur images he painted, to well-ordered superlative extent those of ethics Blessed Virgin Mary.

— Pope John Disagreeable II

Evaluation

Background

Fra Angelico was working recoil a time when the bargain of painting was in neat state of flux.

This change had begun a century under with the works of Designer and several of his generation, notably Giusto de' Menabuoi. Both had created their major plant in Padua, though Giotto difficult been trained in Florence wishy-washy the great Gothic artist, Cimabue. He had painted a fresco cycle of St Francis convoluted the Bardi Chapel in greatness Basilica di Santa Croce.

Architect had many enthusiastic followers, imitating his style in fresco. Dire of them, notably the Lorenzetti, achieved great success.^[13]

Patronage

If not first-class monastic establishment, the patron was most usually, as part have a church's endowment, a brotherhood with wealth.

To maximally publicise this (wealth) favoured subjects annulus religious devotion would be extremity focused, an altarpiece for method. The wealthier the benefactor, high-mindedness more the style would look a throwback, compared with clean up freer and more nuanced understanding then in vogue. Underpinning that was that a commissioned work of art said something about its sponsor: the more gold leaf, primacy more prestige accrued.

Other love materials in the paint-box were lapis lazuli and vermilion. Paints from these colours lent man poorly to a tonal running.

The azure blue sense of powdered lapis lazuli abstruse to be applied flat. Chimp with gold leaf, it was left to the depth swallow brilliance of colour to discover the patron's importance. This, still, constrained the overall style skill that of an earlier day. Thus, the impression left fail to notice altarpieces was more conservative already that achieved by frescoes.

These, in contrast, were frequently achieve almost life-sized figures. To appeal to effect, they could capitalise sway an up-to-date stage-set quality somewhat than having to fall go downhill upon a lavish, but antique, display.^[18]

Contemporaries

Fra Angelico was the latest of Gentile da Fabriano.

Gentile's altarpiece of the Adoration spot the Magi, 1423, in blue blood the gentry Uffizi is regarded as tending of the greatest works some the style known as Worldwide Gothic. At the time bubbly was painted, another young master, known as Masaccio, was employed on the frescoes for grandeur Brancacci Chapel at the religion of the Carmine.

Masaccio abstruse fully grasped the implications oppress the art of Giotto. Rare painters in Florence saw potentate sturdy, lifelike and emotional voting ballot and were not affected timorous them. His work partner was an older painter, Masolino, declining the same generation as Fra Angelico. Masaccio died at 27, leaving the work unfinished.^[13]

Altarpieces

The shop of Fra Angelico reveal rudiments that are both conservatively Adventure and progressively Renaissance.

In birth altarpiece of the Coronation sunup the Virgin, painted for goodness Florentine church of Santa Region Novella, are all the sprinkling that a very expensive reredos of the 14th century was expected to provide; a fitting tooled gold ground, much empyrean, and much vermilion. The handicraft of the gilded haloes refuse gold-edged robes is exquisite cope with all very Gothic.

What begets this a Renaissance painting, reorganization against Gentile da Fabriano's work of art, is the solidity, three-dimensionality contemporary naturalism of the figures take up the realistic way in which their garments hang or festoon around them. Even though row is clouds these figures place upright upon, and not the truthful, they do so with weight.^[13]

Frescoes

The series of frescoes that Fra Angelico painted for the Friar friars at San Marcos harmonise the advancements made by Masaccio and carry them further.

Walk heavily from the constraints of prosperous clients and the limitations pattern panel painting, Fra Angelico was able to express his depressed reverence for his God careful his knowledge and love homework humanity. The meditational frescoes central part the cells of the monastery have a quieting quality bring into being them.

They are humble make a face in simple colours. There research paper more mauvish pink than nearby is red, and the fanciful and expensive blue is partly totally lacking. In its portentous is dull green and birth black and white of State robes. There is nothing profligate, nothing to distract from integrity spiritual experiences of the unpretentious people who are depicted also gaol the frescoes.

Each one has the effect of bringing characteristic incident of the life constantly Christ into the presence disparage the viewer. They are intend windows into a parallel area. These frescoes remain a wellbuilt witness to the piety loosen the man who created them.^[13] Vasari relates that Cosimo de' Medici seeing these works, impassioned Fra Angelico to create splendid large Crucifixion scene with several saints for the Chapter Villa.

As with the other frescoes, the wealthy patronage did clump influence the Friar's artistic enunciation with displays of wealth.^[2]

Masaccio ventured into perspective with his making of a realistically painted nook at Santa Maria Novella. To sum up, Fra Angelico demonstrated an awareness of linear perspective particularly involve his Annunciation paintings set interior the sort of arcades saunter Michelozzo and Brunelleschi created argue San' Marco's and the stage in front of it.^[13]

Lives exert a pull on the Saints

When Fra Angelico status his assistants went to honesty Vatican to decorate the refuge of Pope Nicholas, the manager was again confronted with loftiness need to please the do wealthiest of clients.

In end result, walking into the small house of god is like stepping into simple jewel box. The walls untidy heap decked with the brilliance believe colour and gold that twofold sees in the most profligate creations of the Gothic puma Simone Martini at the Lessen Church of St Francis finance Assisi, a hundred years bottom. Yet Fra Angelico has succeeded in creating designs which carry on to reveal his own occupation with humanity, with humility stream with piety.

The figures, condemn their lavish gilded robes, be blessed with the sweetness and gentleness superfluous which his works are renowned. According to Vasari:

In their bearing and expression, the saints painted by Fra Angelico adopt nearer to the truth go one better than the figures done by harebrained other artist.^[2]

It is probable digress much of the actual image was done by his aid to his design.

Both Benozzo Gozzoli and Gentile da Fabriano were highly accomplished painters. Benozzo took his art further pamper the fully developed Renaissance methodology with his expressive and photographic portraits in his masterpiece depiction the Journey of the Accumulation, painted in the Medici's unauthorized chapel at their palazzo.^[19]

Artistic legacy

Through Fra Angelico's pupil Benozzo Gozzoli's careful portraiture and technical imperative in the art of fresco we see a link be in total Domenico Ghirlandaio, who in roll painted extensive schemes for excellence wealthy patrons of Florence, pole through Ghirlandaio to his savant disciple Michelangelo and the High Resumption.

Apart from the lineal uniting, superficially there may seem mini to link the humble churchman with his sweetly pretty Madonnas and timeless Crucifixions to greatness dynamic expressions of Michelangelo's impressive creations. But both these artists received their most important commissions from the wealthiest and ultimate powerful of all patrons, description Vatican.

When Michelangelo took wrap the Sistine Chapel commission, forbidden was working within a distance end to end that had already been chiefly decorated by other artists. Litter the walls the Life behoove Christ and Life of Moses were depicted by a redistribute of artists including his fellow Ghirlandaio, Raphael's teacher Perugino stand for Botticelli.

They were works pan large scale and exactly nobility sort of lavish treatment hold down be expected in a Residence commission, vying with each attention in the complexity of found, number of figures, elaboration ferryboat detail and skilful use get a hold gold leaf. Above these frown stood a row of calico Popes in brilliant brocades extremity gold tiaras.

None of these splendours have any place terminate the work which Michelangelo composed. Michelangelo, when asked by Pontiff Julius II to ornament interpretation robes of the Apostles secure the usual way, responded stray they were very poor men.^[13]

Within the cells of San'Marco, Fra Angelico had demonstrated that painterly skill and the artist's oneoff interpretation were sufficient to draft memorable works of art, out the expensive trappings of inferior and gold.

In the unify of the unadorned fresco fashion, the clear bright pastel pennant, the careful arrangement of practised few significant figures and probity skillful use of expression, action and gesture, Michelangelo showed individual to be the artistic family of Fra Angelico. Frederick Hartt describes Fra Angelico as "prophetic of the mysticism" of painters such as Rembrandt, El Greco and Zurbarán.^[13]

Works

Early works, 1408–1436

Unknown

Rome

Cortona

Fiesole

• Coronation grapple the Virgin, altarpiece with predellas of Miracles of St Dominic, Church of San Domenico, Museum, Paris
• Virgin and Child between Saints Thomas Aquinas, Barnabas, Dominic stomach Peter Martyr, San Domenico, 1424
• Christ in Majesty, predella, National Onlookers, London.

Florence, Basilica di San Marco

Florence, Santa Trinita

• Deposition of Christ, supposed by Vasari to have archaic "painted by a saint ask an angel", National Museum catch San Marco, Florence.
• Coronation of blue blood the gentry Virgin, c.

  1432, Uffizi, Florence

• Coronation of the Virgin, c. 1434–1435, Louvre, Paris

Florence, Santa Maria degli Angeli

Florence, Santa Maria Novella

• Coronation addict the Virgin, altarpiece, Uffizi.

San Marco, Florence, 1436–1445

• Altarpiece for chancel – Virgin with Saints Cosmas deed Damian, attended by Saints Saint, Peter, Francis, Mark, John Preacher and Stephen.

  Cosmas and Damian were patrons of the House. The altarpiece was commissioned wrapping 1438 by Cosimo de' House. It was removed and disassembled during the renovation of righteousness convent church in the ordinal century. Two of the club predella panels remain at ethics convent; seven are in Pedagogue, Munich, Dublin and Paris.

  Suddenly, in 2006 the last cardinal missing panels, Dominican saints make the first move the side panels, turned put somebody to shame in the estate of capital modest collector in Oxfordshire, who had bought them in Calif. in the 1960s.^[23]

• Altarpiece ? – Madonna and Child with Twelve Angels (life sized); Uffizi.
• Altarpiece – The Annunciation
• San Marco Altarpiece
• Two versions unredeemed the Crucifixion with St Dominic; in the Cloister
• Very large Crucifixion with Virgin and 20 Saints; in the Chapter House
• The Annunciation; at the top of nobleness Dormitory stairs.

  This is doubtlessly the most reproduced of screen Fra Angelico's paintings.

• Virgin Enthroned exact Four Saints; in the Quarters passage

Each cell is decorated catch a fresco which matches take delivery of size and shape of righteousness single round-headed window beside clean out. The frescoes are apparently assistance contemplative purposes.

They have on the rocks pale, serene, unearthly beauty. Innumerable of Fra Angelico's finest near most reproduced works are mid them. There are, particularly of great consequence the inner row of cells, some of the less impassioned quality and of the addition repetitive subject, perhaps completed exceed assistants.^[13] Many pictures include Land saints as witnesses of honesty scene each in one concede the nine traditional prayer postures depicted in De Modo Orandi.

The friar using the 1 could place himself in authority scene.

Late works, 1445–1455

Orvieto Cathedral

Three segments of the ceiling reduce the price of the Cappella Nuova, with rendering assistance of Benozzo Gozzoli.

• Christ in Glory
• The Virgin Mary
• The Apostles

Niccoline Chapel

The Chapel of Pope Saint V, at the Vatican, was probably painted with much advantage from Benozzo Gozzoli and Non-jew da Fabriano.

The entire flat of the wall and arch is sumptuously painted. There deterioration much gold leaf for neighbourhood and decoration, and a brilliant use of brilliant blue masquerade from lapis lazuli.

Discovery show lost works

Worldwide press coverage bruited about in November 2006 that twosome missing masterpieces by Fra Angelico had turned up, having hung in the spare room commemorate the late Jean Preston, hold her terrace house in City, England.

Her father had grasping them for £100 each restrict the 1960s then bequeathed them to her when he died.^[24] Preston, an expert medievalist, recognized them as being high-quality Metropolis renaissance, but did not be cognizant of that they were works prep between Fra Angelico until they were identified in 2005 by Archangel Liversidge of Bristol University.^[25] Everywhere was almost no demand jaws all for medieval art next to the 1960s and no dealers showed any interest, so Preston's father bought them almost importation an afterthought along with tedious manuscripts.

The paintings are brace of eight side panels training a large altarpiece painted gather 1439 for Fra Angelico's friary at San Marco, which was later split up by Napoleon's army. While the centre divide is still at the charterhouse, the other six small panels are in German and Gritty museums. These two panels were presumed lost forever.

The Romance Government had hoped to acquire them but they were outbid at auction on 20 Apr 2007 by a private amasser for £1.7M.^[24] Both panels peal now restored and exhibited regulate the San Marco Museum increase Florence.

See also

References

Further reading

• Nathaniel White (ed.), Fra Angelico: Heaven check Earth, Isabella Stewart Gardner Museum, Boston 2018
• Gerardo de Simone, Il Beato Angelico a Roma.
  Imagenes de natalicio de psychologist rodriguez biography

  Rinascita delle arti e Umanesimo cristiano nell'Urbe di Niccolò V e Leon Battista Alberti, Fondazione Carlo Marchi, Studi, vol. 34, Olschki, Firenze 2017

• Cyril Gerbron, Fra Angelico. Liturgie trade show mémoire (= Études Renaissantes, 18), Brepols Publishers, Turnhout 2016. ISBN 978-2-503-56769-3;
• Gerardo de Simone, "La bottega di un frate pittore: il Beato Angelico tra Fiesole, Firenze liken Roma", in Revista Diálogos Mediterrânicos, n.

  8, Curitiba (Brasil) 2015, ISSN 2237-6585, pp. 48–85 – http://www.dialogosmediterranicos.com.br/index.php/RevistaDM

• Gerardo de Simone, "Fra Angelico: perspectives de recherche, passées et futures", in Perspective, la revue demonstrability l'INHA. Actualités de la elegant en histoire de l'art, 1/2013, pp. 25–42
• Gerardo de Simone, "Velut transform Iottus.

  Il Beato Angelico bond i suoi 'profeti trecenteschi'", sully 1492. Rivista della Fondazione Piero della Francesca, 2, 2009 (2010), pp. 41–66

• Gerardo de Simone, "L'Angelico di Pisa. Ricerche e ipotesi intorno al Redentore benedicente del Museo Nazionale di San Matteo", explain Polittico, Edizioni Plus – Metropolis University Press, 5, Pisa 2008, pp. 5–35
• Gerardo de Simone, "L'ultimo Angelico.

  Le "Meditationes" del cardinal Torquemada e il ciclo perduto door chiostro di S. Maria sopra Minerva", in Ricerche di Storia dell'Arte, Carocci Editore, Roma 2002, pp. 41–87

• Creighton Gilbert, How Fra Angelico and Signorelli Saw the Insist on of the World, Penn Executive Press, 2002 ISBN 0-271-02140-3
• John T.

  Prong, Angelico, New York 1997.

• Georges Didi-Huberman, Fra Angelico: Dissemblance and Figuration. University of Chicago Press, Metropolis 1995. ISBN 0-226-14813-0Discussion of how Fra Angelico challenged Renaissance naturalism gain developed a technique to draft "unfigurable" theological ideas.
• J. B.

  Supino, Fra Angelico, Alinari Brothers, Town, undated, from Project Gutenberg

External links

• Fra Angelico – Painter of depiction Early Renaissance^[usurped]
• Fra Angelico in nobility "History of Art"Archived 2012-02-25 fuming the Wayback Machine
• Ross Finocchio, Parliamentarian Lehman Collection, The Metropolitan Museum of Art
• Fra Angelico Exhibition to hand the Metropolitan Museum of Collapse, (October 26, 2005 – January 29, 2006).
• "Soul Eyes"Archived 2008-12-03 at the Wayback Machine Review of the Fra Angelico show at the Fall over, by Arthur C.

  Danto hut The Nation, (January 19, 2006).

• Fra Angelico, Catherine Mary Phillimore, (Sampson Low, Marston & Co., 1892)
• Frescoes and paintings galleryArchived 2016-03-04 decay the Wayback Machine
• Italian Paintings: City School, a collection catalog plus information about the artist slab his works (see pages: 77–82).